Addison:
Welcome to the Wiggins Sessions, I'm here with my good friend, Joel Bowman, who I believe is
in Buenos
Aires.
Joel:
Correct. Present.
Addison:
Correct. Yep. We're going to talk about some interesting things that are outside of our
normal economic
discussion, but I think we'll probably get into that as well, but Joel, I wanted to tell you
something.
Joel:
Please do. First of all, thank you for having me on.
Addison:
Wait, hold on. We've been doing this Wiggins Sessions since the beginning of the pandemic and
you are episode
69. I was wondering, this is the question I wanted to ask you, does that mean anything to a
globe trotting
Aussie, episode 69? Come on.
Joel:
Some kind of salacious innuendo that I ought to insert here?
Addison:
You can say whatever you want. I'm just saying it is what it is.
Joel:
Well, I think I was also on episode 40 something or 50 something, or so, yeah, I don't know if you
have to add those
numbers together, if it comes up to something else, some other numerological meaning.
Addison:
Yeah. We could probably do that too. All right. We were just talking about Omicron because,
and I just wrote
this in our daily email, that people are learning new letters from the Greek alphabet because of
a
disease.
Joel:
Yeah. It's not the ideal way to be introduced to the classics, is it? I note that we missed the
letters Nu and Xi, or
Xi, and I think that's kind of interesting.
Addison:
No, we actually didn't miss them. They just didn't get it, like Omicron just sounds like a
transformer giant
that's coming to kill us.
Joel:
We skipped them. Yeah. I think we skipped them because Nu was, the novel of its novel connotation.
Then I think
people were speculating on whether we missed Xi because of some trepidation with regards to the
leader of the
Chinese Communist Party.
Addison:
All right. Well, let's get into this. We had an interesting conversation before we started
talking today
about a novel that you wrote and its connection with a theme that we've been talking about for
years, which is
the idea of America. Let's get started. The title of your novel is Morris, Alive.
Joel:
Yes. Indeed.
Addison:
You got it? I have my copy. It's in the other room.
Joel:
Very good. I have it here.
Addison:
I should have been on the spot.
Joel:
I have it here, hard copy in hand. None of this digital simulacrum, not the real thing.
Addison:
Yeah, I like the premise of the story. It's semi-autobiographical I guess it's probably ad
libbed a little
bit, but it's an Aussie's perspective on moving to the United States.
Joel:
Yeah. Broadly speaking.
Addison:
And what you expected to find.
Joel:
Right. Right. I mean, I live in a building here in Argentina that the great Argentine essayist
and
literary critic,
Jorge Louis Borhes called a labyrinth to confuse men, but Borhes also said that or observed
rather
that all fiction
in the end is autobiographical. In that sense, it is kind of my own story in a way, or at least
the
experiences that
I've had filtered into the narrative, but you're completely right when you say that it's an
outsider's perspective
on the idea of America. Part of the reason that I thought that might be novel or interesting to
readers was because
as you know and as you've pointed out on this episode and elsewhere, it's become incredibly
fashionable of late,
particularly among the learned chattering class and those in the academies to sledge America and
to
take on the top
dog. It's seen as some, especially of the last couple of years, it's often seen as some
irredeemable
stain on the
pages of history.
From the very outset, the founding is now, the date of the founding is up for debate. What went
into
the founding
documents is scrutinized. It's very difficult, oftentimes, if you are within a particular
cultural
malaise and the
book here is set at the beginning of the 21st century, which is to say if you are a United
States
citizen, it's
sometimes difficult to step outside of that vantage point and get an outsider's perspective. I
was
fortunate enough
to immigrate to the United States in early 2001. I come from Australia. Your listeners can
probably
hear my accent,
but we might look a bit like Americans and talk a bit like Americans And we have the same TV and
Western culture and
are largely influenced by American music and television and movies and whatnot. I recognize
pretty
quickly what
Freud called the narcissism of small differences.
That is to say that there is a huge gaping difference between the founding principles of the
United
States and those
of Australia, which the population of which still rightly refers to themselves as subjects,
since
they haven't had
their own revolutionary war yet where Americans very proudly consider themselves citizens.
There's a
lot of very
fundamental differences between the United States and countries abroad. I wanted to just bring
an
outsider's
perspective to that argument and to that debate and see if there was anything worth offering.
Addison:
Yeah. Just for the context of it, why don't you walk us through the narrative of the story?
You arrive and
then.
Joel:
Right.
Addison:
I know your story probably just about as well as you do, but it would be good if you said
it.
Joel:
The protagonist, the eponymous Morris, follows his heart across the pond as a hopeless romantic
and
part-time bar
room philosopher, lands himself in the United States, and pretty soon embarks on, I would say, a
pretty classic
American coming of age type story. A classic Bildungsroman in narrative structure. There's coast
to
coast, I don't
want to give too much away here, but there's a coast to coast road trip. There's lots of homage
to
the great
American writers, H.L. Mencken, Lysander Spooner, Henry David Thoreau, writers who I was reading
at
the time and who
meant a lot to me, and who I think America has, as you know, a long and storied history when it
comes to subversive
writers and writers who challenged their government, their status quo.
I think that we might be, but particularly in the realm of fiction, we might be in danger of
losing
that as
everything kind of becomes homogenized in the world of literature at the moment. Anyway, so
Morris
goes on his
journey, which takes him from sea to shining sea. By the time he ends up at his final
destination,
he has met a
colorful cast of Americans, both over the phone and in little towns across the 50 states, places
in
the rust belts,
the prairies, the Rockies, what have you. He's gotten to know a little bit more about America
and
hopefully a little
bit more about himself along the way.
Addison:
There is also an economic narrative as well, because part of the idea of America wraps up the
idea that you
can recreate yourself. You can be innovative or entrepreneurial and find a home in some way.
That gets lost
along the way, it seems like.
Joel:
Yeah, well, I mean, it's no coincidence, I think, that a great many of the towering giants of
American letters have
chosen for their theme, either geographic or intellectual frontiersmanship and this kind of
pioneering mentality.
You go back and think about it. I just mentioned Spooner and Thoreau, but it runs through literary
fiction as well
from the early 20th century, you think back to Hemingway or the whole lost generation. I mean, it
was Gertrude Stein
to whom's bosom all of the lost American generation fled. You'll notice, of course, that none of
them lost anything
of their Americanness when they went there. I mean, they were abroad but they were more American
than ever.
Addison:
There's something like I was thinking of like Walt Whitman and if you move forward to like
Woody Guthrie and
Bob Dylan, there's a theme of this sort of lost, soul searching.
Joel:
Yeah.
Addison:
They don't really fit anywhere, but the continent is wide and large and they go around
meeting different
people. Then, we have some of our greatest poets and songwriters that come out of that same
theme. What is it to
you that's unique? That's my question about looking at it from an Australian perspective, like
what is unique
about that that's different than, say, trying to figure out how to live in Australia after you
got sent there
because you committed some crime in London?
Joel:
Well, I'll just preface this by saying you mentioned Walt Whitman. I took a few lines of his
poetry
at the very
beginning of the book here, and I'll read them out. It's "Afoot and lighthearted, I take to
the
open road,
healthy, free, the world before me, the long brown path before me leading wherever I
choose." I chose that
particular passage because, for me, the United States embodies this idea of choice and self-
determination like,
frankly, no other experiment in governance or national mythology or whatever you want to call it
has
before or
since. And it's really caught up in the essence of the founding documents. And people like to
denigrate that now and
like to presume from their perch here that they could do without such rights as are enumerated
in
the First
Amendment to the Constitution, for example, that being the right to freedom of speech, freedom
of
the press, freedom
of religion, and in particular to assemble and petition the government for redress of
grievances.
But you don't need a particularly colorful imagination to envision what happens when you don't
have
those kinds of
founding principles. And so you mentioned what might be different in Australia. Well, you only
need
to take a look
at what's happening on the ground in my country of birth at present where the army is on the
streets
in Melbourne
and Victoria. They have built permanent camps in Howard Springs in the Northern Territory where
the
Australian
Defense Forces, the euphemistically named Australian Defense Forces are now rounding people up
and
taking them there
against their will.
There's no such thing as freedom of speech in Australia. You know, we like to think in these
weird
countries, which
is to say Western, educated, industrialized, rich, and developed countries, we like to think
that we
have all of
these rights as they're laid out in the founding documents, but we get those mostly vicariously.
We
get those
through watching cop shows that are produced in the United States and just assuming that we have
those too. But in
countries around the world, and you could have a look in Germany or Austria, for example, in the
United Kingdom,
what's happening in Europe with regards to, I know we're going to talk about vaccines and
traveling
and mandates and
all of that kind of stuff, but there's a real independent streak in the genetics of the American
dream. And I just
don't find that elsewhere.
I think it's taken for granted. And the grand irony is that it's taken for granted and denigrated
by
largely a
hysterical clutch of the most privileged people on the planet that are whining from Ivy League
perches about what a
misogynistic, racist, irredeemable country they live in when they live in not only arguably one
of
the freest
countries on the planet now, but maybe ever.
Addison:
So do you think then that that sort of lack of understanding is threatening the idea of
America, the way that
you have come to see it yourself?
Joel:
Yeah. I mean, I don't think you have to look very hard across the landscape today. You know,
whether
it's the abysmal
betrayal of its duty that the Fourth Estate has perpetrated by way of holding up false
narratives,
or whether it's
the encroachment of progressives into wanting to tear down the checks and balances that hold the
separate powers of
government apart.
There are many, many movements afoot right now. I know we spoke last time on this program about
the
attack on The
Western Canon and cancel culture. And these are all different front lines on the same basic
battlefield. But what
I'm wary of is I could understand, in some way, people who had never enjoyed these freedoms not
valuing them in the
way that they should. But we're talking now about people who are essentially ingrates. I mean,
they
grew up with
these freedoms and maybe that's why they don't view them with nearly the value that they ought
to.
Addison:
The obvious question there is what do we do about it? How do we make sure that people
understand it da, da,
da? We have all these debates about the education system being indoctrination, but not
education. We're not
training people to be free thinkers and independent within the economy.
Joel:
Right.
Addison:
We're not training people to do that anymore. We're training them to follow these narratives
that you and I
would not agree with. But that's a really long way to get to the question, what can we do about
it? I guess you
write a novel and hope that people will read it.
Joel:
Yeah.
Addison:
And shows like this where we talk about it and we're like, yeah, yeah, yeah. But it's hard. I
mean, one of
the questions that I've been asking is how does somebody like Dr. Fauci have so much authority
on popular media
where no one even questions it anymore?
Joel:
Yeah.
Addison:
And so I find that dangerous. So let's just kind of put that aside. Your
perspective as you
move into American culture and then out of it, and then back into it, and then out of it, what
is it that is
driving people to. I know that you're calling them ingrates, but what's the impulse there? I
don't understand
why people aren't just...
Joel:
I don't think it's by accident.
Addison:
Yeah.
Joel:
Yeah. I mean, it's not accidental. I know you've written before extensively both in your
newsletters
and in books
that you've authored and co-authored with Bill Bonner, for example, about Gramsci's long march
through the
academies, to take just one example.
But what we have now is the wholesale capture of intellectual life in the United States beginning
with the academies.
And now, the graduates from these academies are going to work in publishing houses, for example,
and
they are
churning out books that look and feel and sound exactly like their neo-Marxist professors. And
so
it's any wonder
that the culture is being flooded with exactly that kind of toxic ideology.
So when I look at people and they're, not to sound like a curmudgeonly old geezer here, but when
I
look at people who
are newly graduated from universities who aren't maybe as flexible in the workforce as they want
to
be because
they've taken on a lot of debt and they've been sitting in lecture halls listening to or being
rather indoctrinated
to for the past four years, it's not difficult to understand why they would come out and just
see
this as par for
the course.
And again, part of the reason for me wanting to write a work of literary fiction is because I
think
by and large the
newsletter industry, in large thanks to yourself and others and the alternative media just in
general, is fairly
well studded with independent thinkers just by nature of there being alternative to the
mainstream.
And so we have a
lot of firepower there. But when it comes to the arts, and in particular to literary fiction,
there's just no game.
I mean, it's completely owned.
If you look at Amazon Best Seller lists or Oprah's Book Clubs or whatever, it's completely owned
by
the people who
are avowed Marxists and who have a very particular agenda, a very particular worldview and are
not
shy at all in
pushing that. And so I think it potentially has an out-sized impact if we stake a bit of a claim
there and say
actually not one step further. And I may just be a tiny little rusty needle in a hay field, but
it
has to be a
start.
You know, in the second half of the 20th century, we had no shortage of American writers who
would've
been appalled
at what passes for contemporary literature. And I'm talking of giants like Saul Bellow, for
example,
who I allude to
pretty extensively in the book.
Addison:
Updike.
Joel:
Updike as well, Philip Roth, the list goes on and on.
Addison:
Roth too.
Joel:
You know, this is a man who won three National Book Awards, a Pulitzer Prize, a Nobel Prize in
Literature. I think
the most decorated man of American letters in the second half of the century. And yet, he is all but
scrubbed from
contemporary English Literature 101 courses at universities where they're instead of studying the
Western Canon, not
to mention just the Americans in the Western Canon, they're unpacking the cultural significance of
Cardi B's lyrics
or some other absolute nonsensical waste of time. And they're doing that in place of or in lieu of
Shakespeare and
Goethe and Cervantes and all these other dead white men that they'll never read and in front of whom
they have
precious little humility. So I think, yeah, it has turned.
Addison:
I'm going to throw a bomb into to your particular narrative at this moment. What's wrong with
Marxism?
Joel:
How anarchist of you.
Addison:
What's wrong with Marxism?
Joel:
How long is this program?
Addison:
I'll give you five minutes.
Joel:
Yeah. Well, to boil it down.
Addison:
What's wrong with it? Why do we hate it so much?
Joel:
To boil it down, I think that the primary beef I would have with it, you hear a lot of people
say,
well, it's great
in theory, but it just doesn't work in practice. I don't agree with that. But even that says,
well,
it's great on
paper, but we just didn't take into account human beings. Which when you're coming up with a
theory,
a sociological
or economic theory and you don't take into account human beings or you treat them as
superfluous,
which is
essentially the way that they were seen, their interactions to be commodified, then you're
missing,
I think, a
fairly essential part of the entire project, and that's individuals along the way. This is,
again,
to get back to
the cornerstone of the American experiment. It's the individual that matters, not the
collective.
And when we talk about Marxist and particularly neo-Marxist, that is to say the postmodern
neo-Marxist theory that is
emanating from American academies and academies across the West at the moment, what we're
talking
about is
essentially a worldview that posits hierarchical power structures at the center of everything
and
seeks to divide
people up into classes in this zero sum interaction, the logical end game of which is
displacement
and war between
the classes.
The Communist Manifesto is a 60 page pamphlet, which calls for violent
overthrow.
And if you see the
world through this warped prism, where everything that somebody else has is because they're,
first
of all, denied it
to you, and we live in this non-cooperative zero sum world, where everything is a power struggle
and
we all exist on
these hierarchies, then it's very plain to see why people aren't interested in open debate and
discussion. Because
for them, it's not about discussion or compromise. It's not about the market. It's not about
free
exchange. It's
about dominance and power. And I think that's to be resisted at all costs, if only because we
know
where it ends,
and the history books are pretty clear on that.
Addison:
I was putting the same idea in context of the Hegelian Dialectic, which is that every
idea
that has driven
Western society mostly leads to the next idea. And Marx was a capitalist who critiqued the
capital system. And
if you can't get out of that dialectic, if you can't get out of the idea that it's all about
material goods and
who has what, then you're stuck. You're stuck with the conflict. And that's what I think is
happening.
I think I'm only just trying to add to what you were saying, that if you only view the
world
in that way,
then the only logical conclusion is violence. Instead of trying to figure out, okay, there
are
people who have
stuff, and there's people that don't have stuff, and there's bad people and there's good
people,
whatever, that
all exists. Why can't we just get along?
Joel:
Right. Well, even just in purely economic terms, the debate ought to be fairly well closed at this
point, for anybody
who paid any attention.
Addison:
Yeah, because it doesn't work.
Joel:
Who was digging graves throughout the 20th century? And the experiment was run, and it was run in
Russia, in China,
in large parts of Southeast Asia, up and down this continent that I'm speaking to you from here,
it
was run in parts
of Africa. And everywhere, no matter what the climate, what the natural resources of the place,
no
matter the
cultural inclinations of the people, no matter what came before them, when this was run in all
of
its various
iterations, whether it was Castroism or Maoism or Stalinism or Leninism or Trotskyism, or any
other
ism that you
care to point to that is on that spectrum or that end of the spectrum, the results are horrific
and
speak for
themselves.
So when we cede small points, we open a wedge, I think, that makes it difficult for people who
are
coming along
behind us to navigate properly. And so, you get this confusion and this bumbling around, where
people don't know
that you can't have a command economy, no matter how many bright sparks you get into a room, no
matter how much
coffee you give them under a dim light and with a whiteboard marker, to get them to figure out
how
many shoes need
to be made or how many loaves need to be baked. It doesn't work like that. The way that markets
work
most
efficiently for the production of capital goods is a division of labor, a la Mr. Smith, and the
invisible hand left
to do its work in the way that Mr. Leonard had with his I Pencil essay.
We don't need to know how to mine lead and mill wood and get the yellow paint and chop down the
rubber trees. We
don't need to know how to do all that stuff. All we need to know how to do is the job in front
of
us. We need to
know how to do it well, to specialize, and that liberates us to spend our time in other pursuits
and
to escape that
merely commodified existence, which seems to be, ironically enough. It's the entire
preconception of
the Marxist
mentality, in the same way that race is the entire preeminent figuring in the mind of the
anti-racist. All they see
everywhere is race. All that these people see is that which they are trying to get past. Doesn't
make any sense.
Addison:
When we first started talking, you had just done a piece of your own on Neo-Wilsonian
progressives. I got
what you meant immediately, because I had already written a bunch of stuff on Wilson's influence
in the early
20th century, and then through his own presidency, which enacted the Federal Reserve and a lot
of the problems
that we are still addressing, like fiat money and stuff like that. But your points seem to be a
little bit
deeper than that. It sounded like you had read a little bit more than I might have on
Wilson.
Joel:
Yeah. It's a rotten onion. When you start peeling back the layers on his mischievous acts, you
keep
peeling and you
keep finding more rot. But, essentially Wilson was, to cut directly to the heart of it, the
first
President to
openly and roundly, in George Will's words, hack at the founding documents, root and branch. And
so
he believed, in
contrast to the founders, who held that rights were inalienable and that they were natural and
that
they preceded
government, and that it therefore was the government's responsibility to secure those rights.
Wilson
held, as did
his progressive acolytes around him, like Justice Oliver Wendell Holmes and others, that their
apprehension of the
subject was that rights were not natural, that they didn't precede government, but rather they
were
privileges and
they were contingent upon certain behavior. And so that they were to be conferred by the
government.
Now the founders used the word secure in the very first sentence of the Constitution, so it
wasn't
like they were
trying to hide it deep in the T's and C's or the fine print or anything. They were fairly
adamant
about this, and
Madison talks a lot about it in The Federalist Papers. But he, being Wilson, really deeply
disagreed
with this. He
saw the role of the state as something like a cudgel to beat and shape society into the shape
that
he thought it
ought to represent, rather than letting the individuals, with their own natural rights, express
their own wills,
desires, fears, hopes, dreams, what have you, in their own lives. He saw the role of the
government
as to withhold
rights from people, based on certain behaviors that he wished for them to undertake.
So it's not surprising when you understand the core philosophy of someone like Wilson's, why he
would, for example as
you mentioned, introduce the Federal Reserve Act, which he did in his first year in office, the
Revenue Act, which
gifted Americans the income tax. So you can thank Wilson for that one. It was Wilson who, with
the
aid of that
slippery propagandist, Eddie Bernays, whose books were found among Goebbels favorites. It was
those
two who
concocted the marketing slogan to sell World War I to an otherwise war weary America. They had
just,
remember a
generation earlier, concluded their own bloody civil war. They wanted nothing to do with foreign
entanglements. As
Jefferson had pointed out much, much earlier in the piece, it was those two, Wilson and Bernays,
who
concocted the
phrase, "Making the world safe for democracy," which we now take as just something that befalls
the
world's
policemen to do. But that was a pure marketing slogan.
And so, the kinds of things that Wilson was up to during his two terms, and he ran for a third
term,
by the way,
despite having suffered a stroke in 1919, but was roundly defeated. In any case, the kinds of
things
that he was up
to during those eight years are not at all surprising when you recognize what his fundamental
beliefs were.
Addison:
Yeah.
Joel:
And that's what we're circling back to now. Through the League of Nations. Yeah, exactly.
Addison:
Which actually we have a tie to. We wrote about this in Empire of Debt. We have a direct
tie
to the first
draft of the League of Nations. It was written in the library of 14 West, which I actually
went
to the Maryland
Historical Society to verify because the story had been told. I'm like, "Is that really
true?"
But it's actually
in the historical record. Yeah. His motive for getting us into World War I was to guarantee
Belgian neutrality,
and 14 West, which is the headquarters of our corporation, was the Marburg mansion. And
Marburg
was the
ambassador to Belgium at the time. So, we're directly connected to this progressive story,
even
though we
probably don't agree with a lot of it.
Where do you see progressives going now? Because if I could take you through Empire of
Debt a
little bit, we
had Wilson and then we had Coolidge. Coolidge was on the market side. And then we had FDR,
who
battled the Great
Depression. And then we had Eisenhower who wanted the government to build roads. And then we
had
Kennedy and
Johnson who wanted to freaking dominate the world again, just like Wilson did. And that
caused a
problem. And
then we get to Reagan, in his whole era, where he's like, "The only way we can dominate the
world is just to
beat the shit out of everyone."And so then he used government debt for the first time to
really
facilitate the
massive military complex that Eisenhower warned us against.
And then you go back and forth. And it doesn't really matter who's in charge anymore,
because
now that we
have this big system of debt and military, we could vote in Trump or we could vote in ...
Who's
the curtain
guy?
Joel:
Sleepy Joe.
Addison:
Sleepy, Joe Biden. It doesn't really matter who's in charge anymore, because it's just this
big behemoth.
Here's a good question, then. In light of all of that, where are the wheels with them? Where are
the Woody
Guthrie's? Where are the people who are actually saying ... They were progressives themselves,
but they were
saying, "Just let us do our thing, and we'll survive."
Joel:
Yeah, I entirely agree.
Addison:
Maybe it's just Morris. Morris, Alive.
Joel:
Morris, Morris. It's Morris, alone. Morris, alone.
Addison:
Yeah. At the moment.
Joel:
Yeah. Well, and so that goes back to what fronts are we fighting on? Are we in our own echo chambers?
Addison:
Well, I think that's my biggest critique of social media, is that we are, we're stuck in our
own echo
chambers. We only hear what we want to hear now.
Joel:
Yeah.
Addison:
How do you engage in society if you are literally not willing to listen to the person who's
walking next to
you on the sidewalk?
Joel:
Yeah. Well you're talking to somebody who wrote a hundred thousand word work of literary fiction
in
an age where
people can barely concentrate beyond 140 characters. So, you might be talking to the wrong guy
there, but yeah, I
agree with your general assessment of the past century. In that essay that you mentioned,
Center
Cannot
Hold. I took some inspiration from Joan Didion's. She was around at the time, as you'll
know, in the 60s,
and she was covering a lot of what was happening in the Haight-Ashbury, countercultural malaise
of
that period.
And I just thought it was very interesting that a lot of the spiritual heroes that progressives
cite
today, when they
look back in history, they like to think that they are aligned in some way with civil rights
activists, from that
particular era of US history, when nothing could be further from the truth. And so I just teased
out
the big five
ways that they were absolutely anathema to those activists. And that was of course, with regards
to
free speech,
that they are absolutely antagonistic towards now. And you only have to pick up a newspaper, or
witness what's
happening in American academies to see who got canceled last week, or who's going to get
canceled
next week. So, we
have that.
We have the folks in the sixties who were very much anti-establishment, very much anti-military,
which is fairly much
the opposite of what we have presently, where the last two presidential candidates both voted
adamantly for the
invasion of Iraq. Among no end of other foreign military misadventures and expensive ones at
that.
We had a movement
that encompassed civil rights issues, both with regards to race and gender. You have a look at
the
progressives
today. They are among the most rabid bunch of Neo-segregationists to be found anywhere in the
union.
So, that is
another way that they've managed to disgrace themselves. And there were a couple of other ones
that
I had in there.
Oh, bodily autonomy happened to be one, where people in the 60s wanted nothing more than to be
left
alone, to take
whatever drugs they wanted, whether it was contraceptives, or recreational LSD, what have you.
And
were very, very
fearful of the government encroaching upon that most sacred of civil liberties. And now again,
every
other day we
hear of some new medical mandate that the government is handing down and dictating to people.
So, it
seems to be a
complete about face, when it comes to the modern, progressive sensibilities, and those who might
consider themselves
descendants of some peace loving hippies.
But if you take it all the way back and you realize the foundations of America's progressive
movement, you find that
it was Wilson who introduced the Sedition Act and clamped down on pacifists and conscientious
objectives to the
First World War. It was Wilson who was an out and out racist, both during his tenure as a
president
at Princeton,
and while he was presiding over the presidential administration and oversaw the segregation of
federal offices, the
military. These are things that your listeners can look up for the moment. They'll probably be
scrubbed from
Wikipedia in not too long.
Addison:
Just after you'd say it.
Joel:
There are textbooks out there that are physical, and that'll take a little longer to hunt down
and
burn. But we know
that he was hugely militaristic. He yanked the Americans into World War I, after all and. On
practically every front
that the self-described new left were fighting in the 60s, Wilson was diametrically opposed to
them,
as are today's
progressives. So, I just thought that was an interesting full circle to have come.
I'm not exonerating by the way that the new left for their economic illiteracy. And people have
pointed out to me
since that article, and I agree with this assessment, that yes, of course these people were
championing free speech.
But when they got it, they were the first ones to usher in the age of political correctness.
They
were of course
against the police and against the state, but in a very Marxist fashion, when it was their team
at
the top of the
power totem pole, they had no problem using the caudal of the state to suppress their own
enemies.
So, yes, I was
perhaps being a little too charitable to the new left then, but I really just wanted to
underscore
how far
progressives have drifted from those that they would think of as their spiritual ancestors.
Addison:
You know what would be fun? A debate between you and AOC.
Joel:
You should send her an invite to the show. We can moderate. Yeah. Let's do it.
Addison:
For some reason. I get her tweets. Like, how the hell did that ever happen? I get her tweets.
So, maybe I'll
just tweet her back.
Joel:
Yeah. Just tweet her back. "Hey, let's have a debate, but you'll have to..."
Addison:
That's Alexandria Ocasio-Cortez.
Joel:
Yes. The Congress menstruating person from New York. And let them on, because you'll have to do it
quickly because we
only have 12 years before the world ends.
Addison:
According to them.
Joel:
We'll have to be snappy. Time is of the essence.
Addison:
At least they can tweet in the meantime.
Joel:
Yeah, exactly.
Addison:
There's no energy that goes into sending tweets.
Joel:
Right, right. Yeah, exactly. Exactly.
Addison:
All right, man, this was fun. Hold up your book again.
Joel:
Here it is. Morris, Alive.
Addison:
You can get that on Amazon of all places.
Joel:
You can get that on Amazon. That's right. “On the river of no returns.” Go and buy a book,
make a click. And
I didn't mention, but it makes a perfect Christmas gift for aspiring progressives. Maybe it can
inoculate them
against their wayward philosophies before it really takes hold.
Addison:
You said it. I didn't.
Joel:
Good man.
Addison:
All right, Joel. Thank you. Talk to you soon.
Joel:
Lots of fun. Thanks mate.